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1 prohibition laws
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2 prohibition
заборона; заборонний судовий наказ; наказ про заборону провадження у справі; заборона продажу спиртних напоїв, сухий законprohibition against being put in double jeopardy — заборона притягнення до суду двічі за один і той же злочин
prohibition against illegally obtained evidence — заборона прийняття (розгляду свідчень, отриманих незаконним шляхом)
prohibition against unreasonable searches and seizures — заборона необґрунтованих обшуків та вилучень
prohibition of distrain for public debts — заборона арешту на майно на забезпечення державних боргів
prohibition of the development of new types and systems of weapons — заборона розробки нових видів озброєнь
prohibition of the quartering of troops in private homes — заборона розквартирування військ у приватних помешканнях
prohibition on the establishment of religion — заборона на встановлення (запровадження) державної (офіційної) релігії
prohibition on the use of biological weapons — = prohibition on the use of biological chemical weapons заборона використання біологічної (хімічної) зброї
- prohibition actprohibition on the use of biological chemical weapons — = prohibition on the use of biological weapons
- prohibition era
- prohibition laws
- prohibition of exportation
- prohibition of importation
- prohibition of night work
- prohibition on exportation
- prohibition on exports
- prohibition on importation
- prohibition on imports
- prohibition order
- prohibition to hold an office -
3 закон
муж. law;
rule;
act, statute юр. избирательный закон ≈ electoral law закон движения ≈ law of motion закон тяготения ≈ law of gravity закон Ньютона ≈ Newton's law закон Менделя ≈ Mendel's law по закону ≈ according to the law вне закона ≈ without the law, (to be) outlawed вопреки закону ≈ contrary to law вводить закон в действие ≈ to implement a law, to put a law in force издавать закон ≈ to promulgate a law нарушать закон ≈ to break the law объявлять вне закона ≈ to outlaw, to proscribe преступать закон ≈ to transgress/violate/break the law принимать закон ≈ to pass a law соблюдать закон ≈ to observe the law, to keep within the law действующий закон ≈ law currently in force строгий закон ≈ stringent law суровый закон ≈ drastic law/measures сухой закон ≈ prohibition закон Божий ≈ (God's) Law;
religion (школьный предмет) закон всемирного тяготения ≈ the law of gravity закон убывающего плодородия ≈ law of diminishing return закон сохранения и превращения энергии ≈ conservation of energy охраняемый законом ≈ registered именем закона ≈ in the name of the law свод законов ≈ legal code;
statute book;
code of laws дух закона ≈ the spirit of the law сила закона ≈ validity/ force of the law вводить закон ≈ enact антимонопольный закон ≈ antitrust law божественный закон ≈ higher law дуракам закон не писан посл. ≈ fools rush in where angels fear to tread закон природы ≈ decree of nature формулировать закон ≈ to lay down the lawм. law;
действующие ~ы the law(s) in force;
объявить, поставить кого-л. вне ~а outlaw smb. ;
обходить ~ evade the law;
подчиняться ~у abide* the law;
соблюдать ~ observe the law;
~ сохранения энергии the law of the conservation of energy. -
4 liquor
'likə(strong alcoholic drink.) brennevin, alkoholholdig drikkvæskeIsubst. \/ˈlɪkə\/1) ( drikk) sprit, brennevin, alkohol2) sky, saus3) lut, alkalisk oppløsning4) ( brukt i bryggeprosessen) vannhard liquor brennevin, spritliquor laws lover om brennevinliquor prohibition brennevinsforbudIIverb \/ˈlɪkə\/ ( hverdagslig)1) drikke seg full, fylle2) drikke full, skjenkeliquor somebody skjenke noenliquor up drikke seg full drikke full, skjenke -
5 Borah, William Edgar
(1865-1940) Бора, Уильям ЭдгарПолитический деятель, юрист, сенатор США от штата Айдахо (с 1907). Вскоре после избрания стал общенациональной фигурой, выступив за осуждение лидеров радикальной Федерации рудокопов Запада [ Western Federation of Miners], обвиненных в убийстве губернатора Айдахо. Был известен своей независимостью по многим вопросам, за что получил прозвище "Великий оппозиционер" [Great Opposer]. В ходе продолжительной карьеры в Сенате [ Senate, U.S.] был председателем нескольких комитетов, в том числе по иностранным делам [Senate Committee on Foreign Affairs; Foreign Relations Committee] в 1924-33. Выступал за разоружение, принятие пакта Бриана-Келлогга [ Kellogg-Briand Pact], был инициатором созыва Вашингтонской конференции [ Washington Conference], одним из первых сторонников дипломатического признания Советского Союза. Во внутренней политике активно выступал в поддержку сухого закона [ Prohibition], против антимонопольного законодательства [ antitrust laws] и многих мер "Нового курса" [ New Deal]. В 1936 неудачно пытался выставить кандидатуру на пост президента. В честь Бора названа гора [ Borah Peak] в штате Айдахо.English-Russian dictionary of regional studies > Borah, William Edgar
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6 rule
1. n1) правило; норма; принцип2) правление, владычество, господство•2. v1) управлять, править; господствовать2) постановлять, устанавливать3) юр. разрешать (дело); постановлять; выносить определение; устанавливать порядок судебного производства4) стоять на уровне, действовать, преобладать (о ценах, курсах, ставках и т.п.); котироваться -
7 veto
1. n ветоlegislative veto — вето, налагаемое законодательным органом
put a veto on smth — наложить вето на; наложить запрет на
retroactive veto — вето, обладающее обратной силой
suspensive veto — временный запрет, временное вето
2. n право вето3. n преим. амер. послание с изложением причин наложения вето на законопроект4. n запрет, запрещение5. v налагать вето6. v запрещать, налагать запрет7. v отвергнуть, отвестиСинонимический ряд:1. rejection (noun) declination; denial; interdiction; negation; negative; prohibition; refusal; rejection2. kill (verb) kill; non-placet3. negative (verb) blackball; negative; turn down4. prohibit (verb) deny; dismiss; forbid; prohibit; refuse; reject; repudiate; voidАнтонимический ряд:approval; ratify -
8 Theater, Portuguese
There are two types of theater in Portugal: classical or "serious" theater and light theater, or the Theater of Review, largely the Revistas de Lisboa (Lisbon Reviews). Modern theater, mostly but not exclusively centered in Lisbon, experienced an unfortunate impact from official censorship during the Estado Novo (1926-74). Following laws passed in 1927, the government decreed that, as a cultural activity, any theatrical presentations that were judged "offensive in law, in morality and in decent customs" were prohibited. One consequence that derived from the risk of prohibition was that directors and playwrights began to practice self-censorship. This discouraged liberal and experimental theatrical work, weakened commercial investment in theater, and made employment in much theater a risky business, with indifferent public support.Despite these political obstacles and the usual risks and difficulties of producing live theater in competition first with emerging cinema and then with television (which began in any case only after 1957), some good theatrical work flourished. Two of the century's greatest repertory actresses, Amélia Rey-Colaço (1898-1990) and Maria Matos (1890-1962), put together talented acting companies and performed well-received classical theater. Two periods witnessed a brief diminution of censorship: following World War II (1945-47) and during Prime Minister Marcello Caetano's government (1968-74). Although Portuguese playwrights also produced comedies and dramas, some of the best productions reached the stage under the authorship of foreign playwrights: Shakespeare, George Bernard Shaw, Arthur Miller, and others.A major new phase of Portuguese serious theater began in the 1960s, with the staging of challenging plays by playwrights José Cardoso Pires, Luis Sttau Monteiro, and Bernardo Santareno. Since the Revolution of 25 April 1974, more funds for experimental theater have become available, and government censorship ceased. As in so much of Western European theater, however, the general public tended to favor not plays with serious content but techno-hits that featured foreign imports, including musicals, or homegrown musicals on familiar themes. Nevertheless, after 1974, the theater scene was enlivened, not only in Lisbon, but also in Oporto, Coimbra, and other cities.The Theater of Review, or light theater, was introduced to Portugal in the 19th century and was based largely on French models. Adapted to the Portuguese scene, the Lisbon reviews featured pageantry, costume, comic skits, music (including the ever popular fado), dance, and slapstick humor and satire. Despite censorship, its heyday occurred actually during the Estado Novo, before 1968. Of all the performing arts, the Lisbon reviews enjoyed the greatest freedom from official political censorship. Certain periods featured more limited censorship, as cited earlier (1945-47 and 1968-74). The main venue of the Theater of Review was located in central Lisbon's Parque Mayer, an amusement park that featured four review theaters: Maria Vitória, Variedades, Capitólio, and ABC.Many actors and stage designers, as well as some musicians, served their apprenticeship in the Lisbon reviews before they moved into film and television. Noted fado singers, the fadistas, and composers plied their trade in Parque Mayer and built popular followings. The subjects of the reviews, often with provocative titles, varied greatly and followed contemporary social, economic, and even political fashion and trends, but audiences especially liked satire directed against convention and custom. If political satire was not passed by the censor in the press or on television, sometimes the Lisbon reviews, by the use of indirection and allegory, could get by with subtle critiques of some personalities in politics and society. A humorous stereotyping of customs of "the people," usually conceived of as Lisbon street people or naive "country bumpkins," was also popular. To a much greater degree than in classical, serious theater, the Lisbon review audiences steadily supported this form of public presentation. But the zenith of this form of theater had been passed by the late 1960s as audiences dwindled, production expenses rose, and film and television offered competition.The hopes that governance under Prime Minister Marcello Caetano would bring a new season of freedom of expression in the light theater or serious theater were dashed by 1970-71, as censorship again bore down. With revolution in the offing, change was in the air, and could be observed in a change of review show title. A Lisbon review show title on the eve of the Revolution of 25 April 1974, was altered from: 'To See, to Hear... and Be Quiet" to the suggestive, "To See, to Hear... and to Talk." The review theater experienced several difficult years after 1980, and virtually ceased to exist in Parque Mayer. In the late 1990s, nevertheless, this traditional form of entertainment underwent a gradual revival. Audiences again began to troop to renovated theater space in the amusement park to enjoy once again new lively and humorous reviews, cast for a new century and applied to Portugal today.
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